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The mendoThe mendo is one of the most flexible Xaîni verse forms, in that its sole requirement is that it should consist of three lines. Various metres may apply to these lines, or they may even be blank verse, which has enjoyed a vogue at certain times, notably the early Xwa mandate period. A good mendo should however be allusive, concise, and complete in itself; the final line should normally act as a conclusion or resolution of some theme introduced in the first two lines.
Some examples of mendoxa:
This is the epitaph of Tandukalendo Mai, the first shushin (Xaîni leader) to have travelled in space, an event whose repercussions led to the end of the Mai mandate. The holding of steel refers to her membership of the Tsinjan caste, the holding of silver to the fact that she was by birth a member of the Tsinroth, and an accomplished artist (silver is considered more precious than gold by Xaîni, because it tarnishes and its beauty is thus impermanent; indeed, the words for beauty, thando, and for silver, tainod, are semantically linked).
This classic exile poem by the poet Ishudnaringjol Xetiki is a fine example of a double mendo from the late Sharn mandate, much favoured by calligraphers
This last mendo, by the warleader Banchen tev Xarego Xawad, refers to the planned, and subsequently executed, sacking of the settlement of Mendan by the Xawad during a seventy-year bloodfeud which only ended when the last of the Mendani line had been killed. The rain referred to in the last line is of course one of blood. The Xaîni and their world |